Margaret Atwood’s 1985 novel The Handmaid’s Tale has been adapted into a television series by Hulu, a fact which you probably already knew if you are on the internet and are interested in these sorts of things.
Initial clips of the show seem promising enough. Elisabeth Moss, who I loved in Top of The Lake, plays the novel’s protagonist Offred, and Margaret Atwood, a consulting producer, has been a vocal supporter of the adaptation. And, as many have pointed out lately, the story’s backdrop—a patriarchal theocratic regime—seems, uh, timely. (Hell, there’s even a Wall).
In anticipation of Hulu’s adaptation, I decided to reread The Handmade’s Tale a third time in a third decade. I found it subtler, more personally intense than the broad, voluminous epic my memory had concocted. My memory had filled in some of Atwood’s strategic gaps; one of her rhetorical gambits is to deliver the so-called « worldbuilding » common to sci-fi…
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